Reading
“The art of reading, in short, includes all of the same skills that are involved in the art of unaided discovery: keenness of observation, readily available memory, range of imagination, and, of course, an intellect trained in analysis and reflection.”
― Mortimer J. Adler, How to Read a Book
Children read to learn - even when they are reading fantasy, nonsense, light verse, comics or the copy on cereal packets, they are expanding their minds all the time, enlarging their vocabulary, making discoveries - it is all new to them.
-Joan Aiken
“There is more than one way not to read, the most radical of which is not to open a book at all. For any given reader, however dedicated he might be, such total abstention necessarily holds true for virtually everything that has been published, and thus in fact this constitutes our primary way of relating to books. We must not forget that even a prodigious reader never has access to more than an infinitesimal fraction of the books that exist.”
― Pierre Bayard, How to Talk About Books You Haven't Read
“The best moments in reading are when you come across something – a thought, a feeling, a way of looking at things – which you had thought special and particular to you. Now here it is, set down by someone else, a person you have never met, someone even who is long dead. And it is as if a hand has come out and taken yours.”
― Alan Bennett, The History Boys
“The only way to do all the things you'd like to do is to read.”
― Tom Clancy
Where do writers learn their best moves? They learn them from a technique I call X-ray reading. They read for information or vicarious experience or pleasure, as we all do. But in their reading, they see something more. It’s as if they had a third eye or a pair of X-ray glasses like the ones advertised years ago in comic books. This special vision allows them to see beneath the surface of the text. There they observe the machinery of making meaning, invisible to the rest of us. Through a form of reverse engineering, a good phrase used by scholar Steven Pinker, they see the moving parts, the strategies that create the effects we experience from the page—effects such as clarity, suspense, humor, epiphany, and pain. These working parts are then stored in the writer’s toolshed in boxes with names such as grammar, syntax, punctuation, spelling, semantics, etymology, poetics, and that big box—rhetoric.
-Roy Peter Clark, The Art of X-Ray Reading
“When we read, we decide when, where, how long, and about what. One of the few places on earth that it is still possible to experience an instant sense of freedom and privacy is anywhere you open up a good book and begin to read. When we read silently, we are alone with our own thoughts and one other voice. We can take our time, consider, evaluate, and digest what we read—with no commercial interruptions, no emotional music or special effects manipulation. And in spite of the advances in electronic information exchange, the book is still the most important medium for presenting ideas of substance and value, still the only real home of literature.”
― Andrew Clements
“I think that most of us, anyway, read these stories that we know are not "true" because we're hungry for another kind of truth: the mythic truth about human nature in general, the particular truth about those life-communities that define our own identity, and the most specific truth of all: our own self-story. Fiction, because it is not about someone who lived in the real world, always has the possibility of being about oneself. --From the Introduction”
― Orson Scott Card, Ender's Game
“Reading one book is like eating one potato chip.”
― Diane Duane, So You Want to Be a Wizard
If you have never spent whole afternoons with burning ears and rumpled hair,
forgetting the world around you over a book, forgetting cold and hunger
- If you have never read secretly under the bedclothes with a flashlight,
because your father or mother or some other well-meaning person has switched off the lamp on the plausible ground that it was time to sleep because you had to get up so early
- If you have never wept bitter tears because a wonderful story has come to an end and you must take your leave of the characters with whom you have shared so many adventures, whom you have loved and admired, for whom you have hoped and feared, and without whose company life seems empty and meaningless
– If such things have not been part of your own experience, you probably won’t understand what Bastian did next.
Staring at the title of the book, he turned hot and cold, cold and hot. Here was just what he had dreamed of, what he had longed for ever since the passion for books had taken hold of him:
A story that never ended! The book of books! He had to have this book
– at any price.
Michael Ende, The Neverending Story
“Reading is escape, and the opposite of escape; it's a way to make contact with reality after a day of making things up, and it's a way of making contact with someone else's imagination after a day that's all too real.”
― Nora Ephron
“Read, read, read. Read everything -- trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You'll absorb it.
Then write. If it's good, you'll find out. If it's not, throw it out of the window.”
― William Faulkner
“After all, reading is arguably a far more creative and imaginative process than writing; when the reader creates emotion in their head, or the colors of the sky during the setting sun, or the smell of a warm summer's breeze on their face, they should reserve as much praise for themselves as they do for the writer - perhaps more.”
― Jasper Fforde, The Well of Lost Plots
“He held up a book then. “I'm going to read it to you to relax.”
“Does it have any sports in it?”
“Fencing. Fighting. Torture. Poison. True Love. Hate. Revenge. Giants. Hunters. Bad men. Good men. Beautifulest Ladies. Snakes. Spiders... Pain. Death. Brave men. Cowardly men. Strongest men. Chases. Escapes. Lies. Truths. Passion. Miracles.”
“Sounds okay,” I said and I kind of closed my eyes.”
― William Goldman, The Princess Bride
“My reading list grows exponentially. Every time I read a book, it'll mention three other books I feel I have to read. It's like a particularly relentless series of pop-up ads.”
― A.J. Jacobs, The Year of Living Biblically: One Man's Humble Quest to Follow the Bible as Literally as Possible
“For one who reads, there is no limit to the number of lives that may be lived, for fiction, biography, and history offer an inexhaustible number of lives in many parts of the world, in all periods of time.”
― Louis L'Amour
“Unlike television, reading does not swallow the senses or dictate thought. Reading stimulates the ecology of the imagination. Can you remember the wonder you felt when first reading The Jungle Book or Tom Sawyer or Huckleberry Finn? Kipling’s world within a world; Twain’s slow river, the feel of freedom and sand on the secret island, and in the depths of the cave?”
― Richard Louv, Last Child in the Woods: Saving Our Children from Nature-Deficit Disorder
“In reading great literature I become a thousand men and yet remain myself...I see with a myriad of eyes, but it is still I who see.”
― C.S. Lewis, An Experiment in Criticism
“Reading changes your life. Reading unlocks worlds unknown or forgotten, taking travelers around the world and through time. Reading helps you escape the confines of school and pursue your own education. Through characters – the saints and the sinners, real or imagined – reading shows you how to be a better human being.”
― Donalyn Miller, The Book Whisperer: Awakening the Inner Reader in Every Child
“Reader's Bill of Rights
1. The right to not read
2. The right to skip pages
3. The right to not finish
4. The right to reread
5. The right to read anything
6. The right to escapism
7. The right to read anywhere
8. The right to browse
9. The right to read out loud
10. The right to not defend your tastes”
― Daniel Pennac
“Indeed, there is something about reading in a restaurant that is borderline romantic. Leaning back in that corner booth, an evocative title in our hands, a stale cup of java in front of us, every so often bolting forward to jot a phrase onto the napkin, we look like, well, poets-unknown belletrists scraping through the hardscrabble years and awaiting the distinction that is imminent. the waiter of waitress refills our cup, we drop a memorable apothegm or two, share a laugh fraught with meaning, scope out the joint, and return to our tome. Nonbiblioholics strain to espy our title; conversation is struck up on things Kafkaesque and Kierkegaardian; and we forge a genuine biblioholic simpatico with all around.”
― Tom Raabe, Biblioholism: The Literary Addiction
My platform has been to reach reluctant readers. And one of the best ways I found to motivate them is to connect them with reading that interests them, to expand the definition of reading to include humor, science fiction/fantasy, nonfiction, graphic novels, wordless books, audio books and comic books.
-Jon Scieszka
“That's what I love about reading: one tiny thing will interest you in a book, and that tiny thing will lead you to another book, and another bit there will lead you onto a third book. It's geometrically progressive - all with no end in sight, and for no other reason than sheer enjoyment.”
― Mary Ann Shaffer, The Guernsey Literary and Potato Peel Pie Society
“Reading is one form of escape. Running for your life is another.”
― Lemony Snicket
“I can always tell when you're reading somewhere in the house,' my mother used to say. 'There's a special silence, a reading silence.”
― Francis Spufford, The Child That Books Built: A Life in Reading
“When I'm tired and therefore indecisive, it can take half an hour to choose the book I am going to have with me while I brush my teeth.”
― Francis Spufford, The Child That Books Built: A Life in Reading
“I read so I can live more than one life in more than one place.”
― Anne Tyler
“The man who does not read has no advantage over the man who cannot read.”
― Mark Twain
“You should date a girl who reads.
Date a girl who reads. Date a girl who spends her money on books instead of clothes, who has problems with closet space because she has too many books. Date a girl who has a list of books she wants to read, who has had a library card since she was twelve.
Find a girl who reads. You’ll know that she does because she will always have an unread book in her bag. She’s the one lovingly looking over the shelves in the bookstore, the one who quietly cries out when she has found the book she wants. You see that weird chick sniffing the pages of an old book in a secondhand book shop? That’s the reader. They can never resist smelling the pages, especially when they are yellow and worn.
It’s easy to date a girl who reads. Give her books for her birthday, for Christmas, for anniversaries. Give her the gift of words, in poetry and in song.
If you find a girl who reads, keep her close. You will write the story of your lives, have kids with strange names and even stranger tastes. She will introduce your children to the Cat in the Hat and Aslan, maybe in the same day. You will walk the winters of your old age together and she will recite Keats under her breath while you shake the snow off your boots.
Date a girl who reads because you deserve it If you want the world and the worlds beyond it, date a girl who reads.
Or better yet, date a girl who writes.”
― Rosemarie Urquico’
― Virginia Woolf, The Letters of Virginia Woolf: Volume Three, 1923-1928
― Carlos Ruiz Zafón
“The words you can't find, you borrow.
We read to know we're not alone. We read because we are alone. We read and we are not alone.”
― Gabrielle Zevin, The Storied Life of A.J. Fikry
Story
“If it's a story I'm telling, then I have control over the ending...But if it's a story, even in my head, I must be telling it to someone.
You don't tell a story only to yourself. There's always someone else. Even when there is no one.”
― Margaret Atwood, The Handmaid's Tale
“You forget everything. The hours slip by. You travel in your chair through centuries you seem seem to see before you, your thoughts are caught up in the story, dallying with the details or following the course of the plot, you enter into characters, so that it seems as if it were your own heart beating beneath their costumes.”
― Gustave Flaubert, Madame Bovary
“Stories, like people and butterflies and songbirds' eggs and human hearts and dreams, are also fragile things, made up of nothing stronger or more lasting than twenty-six letters and a handful of punctuation marks. Or they are words on the air, composed of sounds and ideas-abstract, invisible, gone once they've been spoken-and what could be more frail than that? But some stories, small, simple ones about setting out on adventures or people doing wonders, tales of miracles and monsters, have outlasted all the people who told them, and some of them have outlasted the lands in which they were created.”
― Neil Gaiman, Fragile Things: Short Fictions and Wonders
“As much as I admire and value intellectualism and experimentation, I've discovered that unless a book has a throbbing heart as well as a sexy brain, I feel like the story is a specimen in a sealed glass jar and not a living, breathing creature I want to take by the hand and talk to for hours on end.”
― Myla Goldberg
“The human mind is a story processor, not a logic processor.”
― Jonathan Haidt, The Righteous Mind: Why Good People Are Divided by Politics and Religion
“There is something in us, as storytellers and as listeners to stories, that demands the redemptive act, that demands that what falls at least be offered the chance to be restored. The reader of today looks for this motion, and rightly so, but what he has forgotten is the cost of it. His sense of evil is diluted or lacking altogether, and so he has forgotten the price of restoration. When he reads a novel, he wants either his sense tormented or his spirits raised. He wants to be transported, instantly, either to mock damnation or a mock innocence.”
― Flannery O'Connor, Mystery and Manners: Occasional Prose
“Stories that do not signal or illustrate a change in wisdom, growth or circumstance do not fulfill the basic requirements of a story worth telling.”
― Rob Parnell, The Writer & The Hero's Journey
― Oliver Sacks, The Man Who Mistook His Wife for a Hat and Other Clinical Tales
“Still, I wonder if
we shall ever be put into songs or tales. We're in one, of course, but I mean:
put into words, you know, told by the fireside, or read out of a great big book
with red and black letters, years and years afterwards -
The trouble was, September didn’t know what sort of story she was in. Was it a merry one or a serious one? How ought she to act? If it were merry, she might dash after a Spoon, and it would all be a marvelous adventure, with funny rhymes and somersaults and a grand party with red lanterns at the end. But if it were a serious tale, she might have to do something important, something involving, with snow and arrows and enemies. Of course, we would like to tell her which. But no one may know the shape of the tale in which they move. And, perhaps, we do not truly know what sort of beast it is, either. Stories have a way of changing faces. They are unruly things, undisciplined, given to delinquency and the throwing of erasers. That is why we must close them up into thick, solid books, so they cannot get out and cause trouble.
― Catherynne M. Valente, The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making
Once upon a time . . .” “In the beginning was . . .” That’s the way it always starts off. Every story, gospel, history, chronicle, myth, legend, folktale, or old wives’ tale blues riff begins with “Woke up this mornin’. -Steven Tyler
Words
“He was intrigued by the power of words, not the literary words that filled the books in the library but the sharp, staccato words that went into the writing of news stories. Words that went for the jugular. Active verbs that danced and raced on the page.”― Robert Cormier, I Am the Cheese
“I am not a fan of the magical quick fix in any fiction, including fantasy, scifi and comic books. Unless Dr. Who is involved, and then only because we get to use the phrase 'Timey-wimey wibbliness' which, I'm sure you'll agree, there are not enough occasions to drop into ordinary adult conversation.”
― Chris Dee
“I don't like the word 'allegorical', I don't like the word 'symbolic' - the word I really like is 'mythic', and people always think that means 'full of lies', whereas of course what it really means is 'full of truth which cannot be told in any other way but a story'.”
― William Golding
“I'm pretty good at inventing phrases- you know, the sort of words that suddenly make you jump, almost as though you'd sat on a pin, they seem so new and exciting even though they're about something hypnopaedically obvious. But that doesn't seem enough. It's not enough for the phrases to be good; what you make with them ought to be good too...I feel I could do something much more important. Yes, and more intense, more violent. But what? What is there more important to say? And how can one be violent about the sort of things one's expected to write about? Words can be like X-rays, if you use them properly-they'll go through anything. You read them and you're pierced. That's one of the things I try to teach my students-how to write piercingly. But what on earth's the good of being pierced by an article about a Community Sing, or the latest improvement in scent organs? Besides, can you make words really piercing-you know, like the very hardest X-rays when you're writing about that sort of thing? Can you say something about nothing?”
― Aldous Huxley, Brave New World
“Is a picture really worth a thousand words? What thousand words? A thousand words from a lunatic, or a thousand words from Nietzsche? Actually, Nietzsche was a lunatic, but you see my point. What about a thousand words from a rambler vs. 500 words from Mark Twain? He could say the same thing quicker and with more force than almost any other writer. One thousand words from Ginsberg are not even worth one from Wilde. It’s wild to declare the equivalency of any picture with any army of 1,000 words. Words from a writer like Wordsworth make you appreciate what words are worth.”
― Jarod Kintz, This is the best book I've ever written, and it still sucks
“There's nothing wrong with reading a book you love over and over. When you do, the words get inside you, become a part of you, in a way that words in a book you've read only once can't.”
― Gail Carson Levine, Writing Magic: Creating Stories that Fly
“As Brother Francis readily admitted, his mastery of pre-Deluge English was far from masterful yet. The way nouns could sometimes modify other nouns in that tongue had always been one of his weak points. In Latin, as in most simple dialects of the region, a construction like servus puer meant about the same thing as puer servus, and even in English slave boy meant boy slave. But there the similarity ended. He had finally learned that house cat did not mean cat house, and that a dative of purpose or possession, as in mihi amicus, was somehow conveyed by dog food or sentry box even without inflection. But what of a triple appositive like fallout survival shelter? Brother Francis shook his head. The Warning on Inner Hatch mentioned food, water, and air; and yet surely these were not necessities for the fiends of Hell. At times, the novice found pre-Deluge English more perplexing than either Intermediate Angelology or Saint Leslie's theological calculus.”
― Walter M. Miller Jr., A Canticle for Leibowitz
“With so much reading ahead of you, the temptation might be to speed up. But in fact it’s essential to slow down and read every word. Because one important thing that can be learned by reading slowly is the seemingly obvious but oddly underappreciated fact that language is the medium we use in much the same way a composer uses notes, the way a painter uses paint. I realize it may seem obvious, but it’s surprising how easily we lose sight of the fact that words are the raw material out of which literature is crafted.”
― Francine Prose, Reading Like a Writer: A Guide for People Who Love Books and for Those Who Want to Write Them
Anyone Can Publish a book….
Actual Text: (Book is all in CAPS)
“IF YOU CAN REMEMBER: THE PHAROADS: WHO DISOBEY!! OUR GOD!! AND THE EGYPTIANS??>> WHO WAS SINFUL>> MAGICIANS: THEY WHERE NOT>> OF GOD. SO GOD HARDEN>>THEIR>HEARTS!! BECAUSE THEY HAD SINFUL PARTS.”
Birth Control Is Sinful in the Christian Marriages and Also Robbing God of Priesthood Children!!
by Eliyzabeth Yanne Strong-Anderson
Paperback, 648 pages
Published December 26th 2007 by Authorhouse
$150.00
Commentary: Good Reads Reviewer named John •
Note: What are "Pharoads," are they Egyptian highways? And what are these "sinful parts" of which she writes?
PHAROADS
• Note: There are those "Pharoads" again... all Pharoads don't lead to Rome, that much is clear.
How to Good-Bye Depression: If You Constrict Anus 100 Times Everyday. Malarkey? or Effective Way?
by Hiroyuki Nishigaki
Actual Text
I think it is effective to cure or prevent depression and become happy-healthy-efficient that you
(1)constrict anus 100 times in succession and dent navel 100 times in succession after constricting anus 100 times in succession everyday following the life style of long-lived British as possible
(2)sometimes turn to bay throwing away pride-welcome a insult or fall into the hell voluntarily or occupy your time with something else (anything would do)
(3) enjoy taking advantage of a petty tyrant to temper yourself
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